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The reason I really love Caesar the ape from Scary Movie is because initially they were thinking about doing him digitally.Īnd it was like going back to old school technology of a man in a suit with a mechanical mask. It was a badge of merit and to have David Fincher come to you at the end and shake your hand and say, ‘great job’. It was a great couple of days shooting that sequence and very bloody! And then to see the scene in the film and it be so iconic, it was fantastic. I will never forget Rosamund Pike on set going ‘Gary, my butt cheeks are sticking together from the blood’, or having to stick my hand up Neil Patrick Harris’ underpants to wire up the bloodline through his neck.Įvery time I shoved my hand up through his underwear, he said, ‘I think you and my husband are the only people who have had their hands in my underwear this much’. The actors were very patient and very cool. That whole sequence had to be planned to military precision because we had so much blood going everywhere that we had to clean up the actors and the bed in between takes. I think we did 20 or 30 tests of flow, colour, amount and everything else. I was a huge fan of David Fincher anyway, and although there’s only really one kill in the movie, because the movie is so slow burn, no one expects that kill to happen.ĭavid is incredibly precise about everything. It was just an honour to work with David Fincher. My next one is the boxcutter kill in Gone Girl. So that’s why I love that character and why I think the fans gravitated toward it so much. People were attracted to her sexiness and then disgusted by the grossness! If you can do that, it’s such a great dichotomy to have.
It was a very tricky makeup to do and it had some weird technical aspects to it but again she was one of those characters who people were really into when she first appeared in the trailers. We showed it to the director and he approved it. I scribbled it down on a napkin and gave it to a brilliant artist friend of mine, who rendered it as a drawing.
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What happened was, I came in one night and Sister Act was on TV.Īnd I saw these nuns with the whimple on and I thought, ‘how cool would it be if it was like wires peeling down skin instead and she’s got an exposed skull’! So I wanted to do something like that for a female Cenobite. I thought the concept of Pinhead with the pins was grotesque but you are fascinated by the look of him.
Clive Barker, always described things as grotesquely beautiful. The Angelique cenobite from Hellraiser: Bloodline is a huge favorite, because the fans took to her and really, really loved it.Īnd I have this thing for designing sexy Cenobites. ANGELIQUE CENOBITE ( HELLRAISER: BLOODLINE) I refined it and added my own touches, of course, but it was really just an honour to do that makeup. So because of the legacy of the makeup, I put it on here as one of my top creations although of course it was created by Clive Barker! Jeff Porter did a brilliant job executing it in the first two movies. Taylor, were both so brilliant with it and the makeup is only as good as the performer wearing it. There was always an amazing sense of the ‘Frankenstein Syndrome’, as we call it, where you get to take a human being and turn them into something else.ĭoug Bradley and Paul T. It’s a makeup that I looked up at the screen in 1987 as a cinemagoer, and basically said: ‘Who did that? How did they do it? I want to do it!’ It was an honour to apply that makeup again and again. Well obviously Pinhead, it was just an honour to do that prosthetic makeup and to redesign it slightly.
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Gary has taken us on a tour through his top five sanguine-splashed special effects from the Hellraiser series and beyond! PINHEAD ( HELLRAISER franchise)
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Something a little different on Back to the Movies today as director Gary Tunnicliffe lists his top 5 personal special FX ahead of his upcoming movie Hellraiser: Judgment being released on Digital Download 22 February and Blu-ray™ and DVD 1 March.
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